虚构的禁区 | 艺术家：李思瑾

出生于2002年

Born in 2002

生活于成都

Lives in Chengdu

The subject chosen for the work-"things",is an indispensable element in everyone's life.

　　这些物品不仅仅是物质的存在，更是承载着属于我的记忆、情感和故事。观众在欣赏作品时，能够在其中找到与自己生活经历相似的物，进而引发共鸣。《物》系列作品的创作灵感，源于我对生活中各种物品的深刻感悟和无尽想象，我决定以“物”为主题，通过绘画的方式，将她们的形态、色彩与内涵呈现于画布之上。在创作过程中，我从中提取出它们的独特之处，注重捕捉物的形态美和光影，通过画笔和色彩的组合，将她们融入画面的构图和色彩搭配中，使得画面更加丰富和深邃，以呈现出一种独特的视觉效果。画面中点，线，面组合展现出它们之间的内在联系和互补关系。这样的构图方式不仅丰富了画面的层次感和空间感，也使得作品更具思考性。此外，我也注重在绘画中表达自己的情感和思考。通过对物品的描绘和诠释，我试图着将自己的情感和观念传递给观众。我希望观众在欣赏这系列作品时，能够感受到背后的故事和情感，从而引发共鸣和思考。

These objects are not merely physical entities;they carry my memories,emotions,and stories.As viewers appreciate the works,they can find objects similar to their own life experiences within them,thereby evoking resonance.

The inspiration for the creation of the"Things"series comes from my profound insights and endless imagination about various items in life.I decided to take"things"as the theme and present their form,color,and essence on the canvas through painting.

　　During the creative process,I extracted their unique qualities,focusing on capturing the beauty of their shapes and light and shadow.Through the combination of brushstrokes and colors,I integrated them into the composition and color coordination of the painting,making it richer and deeper to create a unique visual effect.The points,lines,and planes in the painting display their intrinsic connections and complementary relationships.This compositional approach not only enriches the painting's sense of layers and space but also makes the work more thought-provoking.Moreover,I also attach importance to expressing my emotions and thoughts in painting.By depicting and interpreting objects,I attempt to convey my feelings and ideas to the audience.I hope that when viewers appreciate this series of works,they can feel the stories and emotions behind them,thereby evoking resonance and contemplation.

——李思瑾

▲‍交叉互融群展安仁华公馆四川2023

Memory and Emotion Amidst the Interweave of Reality and Fiction:In the"Fictional Taboo"thematic exhibition,how do your"Things"series works construct emotional interaction for the audience through the interplay of virtual and real?Which specific elements or situational designs in these works enable the audience to explore emotions at the boundary between reality and fiction and establish resonance?

李思瑾：在《物》系列中，“物”不再是简单的物质存在，而是承载着丰富情感和记忆的载体。使得观众的情感、记忆与认知在不知不觉中发生碰撞和交融。画面中的景象既可能是真实的回忆，也可能是虚构的幻想，这种不确定性赋予了作品更多的解读空间。一些抽象的图案或符号则可能暗示着内心的情感状态。这些象征元素不仅丰富了画面的内涵，也为观众提供了更多的解读线索。

In the"Things"series,"Things“transcend mere physical existence to become vessels carrying rich emotions and memories.This allows the audience's emotions,memories,and cognition to collide and merge imperceptibly.The scenes depicted may be either genuine recollections or fictitious fantasies,and this uncertainty endows the works with greater interpretative space.Certain abstract patterns or symbols might suggest inner emotional states.These symbolic elements not only enrich the content of the images but also provide the audience with more clues for interpretation.

▲‍物No.1纸本综合材料2024

　　Q2：日常物品中的记忆与寓意：您提到《物》系列的创作灵感来自对生活物品的深刻感悟和无尽想象，能否具体分享某些经历或特定情感促使您选择以“物”为主题？这些物品承载的记忆和情感在您的创作实践中具有什么样的作用和意义？

Memories and Symbolism in Everyday Objects:You mentioned that the inspiration for the"Things"series stems from a deep understanding and boundless imagination regarding everyday items.Could you share specific experiences or particular emotions that led you to choose"things"as your theme?What role and significance do the memories and emotions encapsulated in these objects play in your creative practice?

李思瑾：在日常的琐碎生活中，我常常被一些莫名其妙的小氛围所吸引和触动，它们可能是书房角落里转动的风扇，或是某个晚上的工作室的灯光，抑或是彝族的篝火晚会……这些可能平凡无奇，但沉浸其中，慢慢承载了丰富的记忆和深刻的寓意，成为艺术创作中源源不断的灵感来源。通过创作《物》系列作品，希望能够更好地表达自己的个性和情感，让作品成为“我”与观众之间沟通的桥梁。

In the mundanity of daily life,I often find myself captivated by inexplicable yet enchanting moments;they might be the rotating fan in the corner of my study,the lighting in my studio on a particular evening,or even an Yi ethnic group bonfire party...These instances may seem ordinary at first glance,but upon deeper immersion,they carry a wealth of memories and profound symbolism,serving as an inexhaustible source of inspiration for artistic creation.Through the conception of the"Things"series,I aspire to articulate my individuality and emotions more effectively,enabling my works to serve as a bridge between myself and the audience,

▲‍物No.2纸本综合材料2024

　　Q3：形式美学与情感世界的构建：在《物》系列中，通过点、线、面和光影的运用，您如何构建物品的形态美和内在联系？请详细谈谈这些形式美学对作品情感和故事的表达作用。您是否有特定的视觉语言指导，以确保这些抽象概念能被观众理解并引发情感共鸣？

Formal Aesthetics and the Construction of an Emotional World:In the"Things"series,how do you construct the formalbeauty and intrinsic connections of objects through the use of points,lines,planes,and light and shadow?Please discuss in detail the role these formal aesthetics play in expressing the emotions and narratives of your works.Do you have a specific visual language guiding this process to ensure that these abstract concepts are comprehensible to the audience and evoke emotional resonance?

李思瑾：我喜欢在画面中分割出不同的面，面的色彩和层次处理也能够影响对画面的情感认知，柔和的色调和光影变化可能传递出温暖和安宁的情感。也希望引导观众的视线，突出物品的某个关键特征或情感表达，稀少而密集的点则可能传达出静谧或寂寞的情感。

I enjoy dividing the canvas into distinct planes,where the color and depth treatment of these planes can influence the emotional perception of the artwork;soft hues and variations in light may convey feelings of warmth and tranquility.I also aim to guide the viewer's gaze,accentuating a critical characteristic or emotional expression of an object,while sparse and dense clusters of dots might communicate a sense of stillness or solitude.

▲‍物No.3布面油画2024

　　Q4：色彩层次与情感表达的交织：色粉画独特的色彩丰富性和层次感在《物》系列中有何表现？您如何利用这些特性，通过混色技巧和色彩过渡，构建出既具个人印记又引人深思的视觉语言？这些色彩元素在您的作品中如何传达情感并激发观众的想象？

The interplay of color gradation and emotional expression:How does the unique chromatic richness and depth of pastel art manifest itself in the"Thing"series?How do you utilize these characteristics to construct a visually distinctive and thought-provoking language through blending techniques and color transitions that bear your personal hallmark?In what way do these color elements convey emotion and stimulate the viewer's imagination within your artworks?

李思瑾：在《物》系列中，色粉画独特的色彩丰富性和层次感得以充分展现，过程中加入了水彩材料以及丙烯材料，色粉以其细腻的颗粒和色彩过渡的多样性与其相融合，为作品赋予了独特的质感和表现力。

In the"Thing"series,the unique chromatic richness and depth characteristic of pastel artwork is fully realized.The incorporation of watercolor and acrylic materials into the process,seamlessly integrated with the fine granules and diverse color transitions of pastels,endows the works with a singular texture and expressiveness.

▲‍物No.4纸本色粉2024

　　Q5：艺术的社会功能与影响：您认为在现代社会中，艺术应该承担什么样的角色？在创作《物》系列作品时，您是否考虑过它们如何与当代社会议题相关联，并通过作品开拓观众对社会、文化和人类共通经验的思考？艺术家如何利用其创作在当代社会中促进理解和对话，并产生积极的社会影响？

Social Function and Impact of Art:What role do you believe art should play in modern society?While creating the"Thing"series,did you contemplate how these works might connect to contemporary social issues and stimulate viewers'reflections on society,culture,and shared human experiences through your creations?How can artists leverage their work to foster understanding and dialogue in contemporary society,thereby generating positive social impact?

李思瑾：在快节奏、高压力的现代生活中，人们可能面临着各种情感困境和心理压力。在创作《物》系列作品时的主题选择与当代社会问题密切相关的，人们是否将幸福感与自由感视为重要追求，希望通过艺术作品引发观众对这些问题的关注和讨论。在画中放入多个“躺平”元素，“躺平”现象在另一层面上表现了人们关注自己的内心需求，找到适合自己的平衡点，追求内心的平静与满足，这快节奏的生活中，人们可能往往忽视自己的感受。而艺术家通过作品可以批判社会弊病，揭示隐藏的问题，唤起公众的关注和反思，从而推动社会改革和进步。我希望艺术带给人们情感上的释放和心灵的滋养，可以增强人们的情感韧性和生活幸福感。

In the fast-paced,high-pressure environment of modern life,individuals may grapple with a myriad of emotional predicaments and psychological stresses.The thematic selection in the creation of the"Thing"series is closely intertwined with pressing social issues,prompting questions on whether people prioritize happiness and a sense of freedom in their pursuits.Through artistic expressions,I aspire to ignite public awareness and discourse surrounding these concerns.Incorporating multiple"lying low"elements in the artwork symbolizes a deeper societal trend towards introspection and self-care,where individuals seek to find their equilibrium and pursue inner tranquility and contentment,aspects often overshadowed in the hustle and bustle of daily life.Artists have the power to critique societal ills,unveil concealed issues,and galvanize public attention and reflection,thereby catalyzing social reform and advancement.My aspiration is for art to serve as an emotional outlet and a source of spiritual nourishment,bolstering emotional resilience and enhancing overall well-being and happiness in people's lives.

▲‍幻No.3布面油画2023

▲‍幻No.2布面油画2023

▲‍幻No.1布面油画2023

▲‍打陀螺布面油画2023